(November 8, 2012) Peter Meineck suggests new methods for approaching ancient drama using research drawn from the cognitive sciences. He then discusses how the dramatic mask, operating in a multi-sensory dynamic environment, provided a deeply personal and emotional anchor for music, narrative, and movement in ancient drama.
Stanford Department of Classics:
Stanford University Channel on YouTube:
Tagged under: Drama,Theater,Comedy,Tragedy,Greek,Sophocles,Art,Performance,Ancient,Literature,Mythology,Classics,Masks,Uncanny Valley,Emotion,Regulation,Perception
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